La variedad de puntos de vista nos permite escuchar el relato en cuatro versiones distintas, como si se trataran de historias diferentes, contradictorias, a veces complementarias. Ofrecemos a cada uno una cara distinta del prisma. Repetidas veces me han asombrado ciertas observaciones que me confirman en esta idea. Es, por lo tanto, un ser complejo, diverso, cambiante y tiene muchas facetas que salen a la luz en situaciones concretas.

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Shelves: classic-literature , books-to-read-before-you-die , historical , classic-challenge-2 , countries-challenge , favourites "I suppose If there is one thing you can take away from "I suppose If there is one thing you can take away from reading this it is the sensuous, evocative and delectable language. It is a treat for the literary senses. Justine, in contrast, is a prime example of how to write an atmospheric novel with an underlying exploration of sexuality without appearing to physically strain words through a blender.

The language is organic, not relying upon cursing or vivid description of sexual organs. Rather, skilful use of adjectives creates the right sense and connotation for the reader to understand what Durrell aims to say about love and sensuality. The main criticism of this novel is the apparent lack of plot. That said, there appears to be no plot merely because the plot is buried within woven language of such elaboration and complexity that any linear plot as readers normally understand them can be hard to observe.

Justine was still a beautiful start to this quartet and easily a 4 and a half star book. Balthazar This novel is far more difficult to understand than its predecessor, Justine due to what appeared to be shifts in the narrative chronology and also narrator. In many ways this makes Balthazar a stronger novel than Justine and a weaker novel. This appears a weaker novel simply because those who found the first book lacking in plotting may find this second novel a tedious venture.

As mentioned the changes in narrator and possibly timeframe for the viewpoint create a challenge for the reader. His skills as a wordsmith and stylist which leads one to compare him to Mervyn Peake are fully on display in phrases like "the cloying grunting intercourse of saxophones and drums" and "The dark tides of Eros, which demand full secrecy if they are to overflow the human soul This humour stems from the fact that the word for Jazz, which Durrell powerfully describes, originally came from a word meaning the act of intercourse.

The second phrase in conjunction with the first, also reveals that though Durrell is a classy poetic writer the evocation of Eros is sublime he has a hint of earthiness to his quality. In other words he is both a man of the gentry or bourgeoisie as well as the peasantry.

On the whole easily a five star novel. Very highly recommended for anyone who appreciates literary novels, classics or fine prose over traditional plotting. Mountolive Perhaps the weakest of all the four novels in this tetralogy, Mountolive again takes the reader back through the narrative arc of the first two novels.

Yet even through its weakness this novel reveals the strength of the overall work, the ability to weave a portrayal of a city and its people into a complex analysis of politics and modern love. Often, when a writer travels back over narratives already familiar to the reader, what events will occur next is rather obvious. Yet Durrell is able to convince the reader that they understand very little of the events of the previous books, unearthing new layers and new details for the reader. In particular the hidden elements connected to espionage and war profiteering.

Yet, as mentioned, Mountolive, for whatever reason, is weaker than the other four tales in the entire Alexandria Quartet. Perhaps it is the fact of how the narrative shifts to other characters than in previous novels and in the final novel. The main character of this novel, the titular David Mountolive, is a less fascinating and enigmatic character and the encounters he has are, from his perspective, less engaging to the reader.

That said, the scenes with Pursewarden in this novel are some of its greatest aspects and not to be missed by any reader. Four stars. Clea It is in Clea that the full experimental and unique nature of this entire work is revealed. Lawrence Durrell, in the previous books, had experimented with chronology and nesting narratives into the tale, yet in Clea this experimentation reaches a glorious crescendo.

Where the previous three novels had followed the same plotline from different perspectives, Clea takes the reader into the future to observe what happens to the characters after. For the most part the conclusions are not happy or beautiful, rather they reveal a sense of the corrupting influence of the city. Yet this novel is the most beautifully written of all of them in how it merges poetry and prose into an exploration of the impact of modern love.

Ultimately the conclusion that can be drawn from this novel is that in acting selfish one can expect ill gains in the future. Indeed, he seems to challenge the reader as to the nature of real, healthy love and ask them to observe that sexual love is a defining knowledgeable act. Five stars. The Entire Work As a work of fiction The Alexandria Quartet in its entirety is profound, serenely beautiful and complex. Yet this is a unique work, one of those which shall be remembered for years as a truly classic novel.


Lawrence Durrell y el Cuarteto de Alejandría

Tres lados de espacio y uno de tiempo constituyen la receta para cocinar un continuo. Las cuatro novelas siguen este esquema. La tercera parte, Mountolive, es una novela estrictamente naturalista en la cual el narrador de Justine y Balthazar se convierte en objeto, es decir, en personaje. Estas consideraciones pueden parecer un poco presuntuas e incluso grandilocuentes. El polvo leonado del desierto: tumbas de los profetas que, viran al zinc y al cobre cuando el sol se pone en el antiguo lago.


El cuarteto de Alejandría



Lawrence Durrell


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